12/31/2010

Leave bad enough alone - teaser trailer

12/29/2010

A Night Out With Jeffrey Sebelia

I THINK TV villains are funny,” said Jeffrey Sebelia with an impish grin at Lotus in the meatpacking district, awaiting friends for an early dinner on Thursday night, less than 24 hours after being crowned king of “Runway’s” season three

    
(on the right ya can c Norman)     


As Mr. Sebelia took bites of calamari and pad thai, in strolled his dinner companions, the actor Norman Reedus, whom Mr. Sebelia has known since he was 19, and Panos Galanopoulos, a fashion art director. 
"Congratulations!” said Mr. Reedus, pulling his friend into a bear hug.
“One for the bad guys!” crowed the designer, raising his water glass in triumph. No $500 bottles of Cristal at this table; Mr. Sebelia, a formerly homeless drug addict, has been clean for five years. 
Norman Reedus, whose handsomely haggard face looks to be no stranger to late nights, ordered rum and Coke. 
The conversation turned to a meeting Mr. Sebelia had earlier that day at DMA. “I’ll crash the car and I’ll spend the money,” he said. “DMA: that’s the real prize.”

The men excused themselves for a smoke, and out on the sidewalk Mr. Sebelia showed off a cellphone photograph of his 2-year-old son, whose name, Harrison Detroit, famously snakes around his neck. 
He fielded congratulatory shout-outs from a half-dozen passers-by, then headed back inside, giving himself up to a quick photo for some guy’s sister’s birthday.
The group headed to the Upright Citizens Brigade in Chelsea for an improv show

12/21/2010

Dale Frank: The Norman Reedus Exhibition

Melbourne Art Fair 2002

…An appreciation of paradox seems to go to the heart of Frank’s art, which embodies a sense of stylistic freedom that verges upon the anarchic. His works celebrates intense beauty, even while it flirts with the impure, the excessive and the extreme…

Sue Cramer, Dale Frank: Ecstasy (Twenty Years of Painting), Museum of Contemporary Art, Sydney 2000

In the latest series of varnish works, Dale Frank continues to reinterpret the language of painting by using the traditional finishing medium of varnish as the means to construct his paintings. The highly reflective surfaces of the paintings invite the viewer into a dialogue.

Frank’s varnish works have been named after various male actors such as Toby McGuire, Jude Law, Matt Damon, Ben Affleck, Andrew McCarthy, Freddie Prince Jr. and Matt Le Blanc.
This current exhibition is named after Norman Reedus, a young Hollywood actor who has been cast as an artist.



See all Pictures and more
http://www.annaschwartzgallery.com/works/exhibitions?artist=15&year=2002&work=1878&exhibition=123&page=2&future=&projects=&current=&c=m

w/Aria Curzon on set 'I'm loosing you'




12/10/2010

'39' by Pedro Chavez

Summary : 

This satiric tale of 39 centers around flashbacks and a non-chronological way of storytelling. A transfer of suitcases goes wrong between the Italian mob and Asian mob, ending in the murder of Carmello and the disappearing of the suitcases. There starts the chase against the clock to find the suitcases and the assassin before chaos breaks loose.



Actors:  

Norman Reedus, Tommy Flanagan, Natasha Alam, Byron Mann, R. Brandon Johnson, Russ Russo,
Lauren Currie Lewis, Dominic Pace, Tamela D'Amico, Major Dodge, Neill Skylar, Philip Ng, Heather Leonard, Dominik Tiefenthaler, Phil Hall, Aldous Davidson, Samia Akudo, Kenan Wei

12/06/2010

"You can borrow my crossbow"

Norman Reedus and Laurie Holden MTV interview


"I think Andrea is in a severe depression," Holden told MTV News of her character's state of mind at the end of the finale. "I think she's very apathetic. Her reason to live has been taken from her. Amy was her heart."
"Her deciding in the season finale that she was going to live wasn't necessarily for her," she continued. "It's because she didn't want another death on her hands. Dale gave her no choice. She's looking at this man and he's saying, 'I'm going to die if you don't get it together. I'm going to die if you don't come with me.' ... She kind of hates him for it, because she wants to check out."
As for what lies ahead for Andrea, Holden alluded to the character's evolution into the group's resident sharpshooter in "The Walking Dead" comics.
"[At first], Andrea doesn't know that she has this skill set," said Holden. "I think that will organically unfold where she'll actually go to the shooting range or something will be written where she's like, 'Oh, I'm a natural!' I am so excited, because I have a little bit of a tomboy in me, but I'm very excited to start going out with the guys and start shooting zombies."
"You can borrow my crossbow," Reedus added, citing his character's affinity for culling the zombie hordes with a well-placed crossbow bolt instead of a bullet.
"That's so sweet," laughed Holden.
When it comes to the hot-headed, squirrel-hunting younger Dixon brother he plays in the series, Reedus is a bit more optimistic about Daryl's evolution in Season Two.
"I think there are leader qualities in Daryl, so I think once some trust issues are more defined, he'll take on roles that are less hot-headed," said the actor.
"Maybe he'll find some love," teased Holden.


"I think once he's out of the shadow of his big brother, I think he can man up and be less of the eight-year-old, and not exactly a kick-ass man, but a make-decisions man," said Reedus.

St. Nicholas' Day greetings

wishing y'all lots of chocolate-yummy!

12/04/2010

There's a li'l bit of Redneck in all of us

there's always someone

Thinking Of You

makin' creepy an art

As already sayed 
i can't help loving Norman Reedus makin' creepy an Art!!

So it is in this awesome movie.
 
I know this poor one was 'victim' to many devastating reviews which i can't understand.


Dark Harbor is filled with twists and subplots reminiscent of Hitchcock; the darkness of hidden truths and realities behind the veil of the Weinberg's marriage, will leave you breathless.

As David (Alan Rickman) and Alexis Weinberg (Polly Walker) race through a torrential rainstorm to get the last ferry to their private island, they catch sight of an injured young man (Norman Reedus) at the side of the road. 
The mysterious stranger reluctantly accepts their help and by morning the incident is virtually forgotten, until a series of coincidences leads him back into their lives and into their home. 
As events slowly unfold at the isolated retreat, what began as an act of kindness slowly gives way to a bizarre love triangle that ultimately forces the couple into a frightening spiral of sex and betrayal, where nothing is what it seems.